BadBadNotGood are an instrumental group who hail from Toronto. The members include Matthew Tavares on the keys, Chester Hansen on bass, Leland Whitty playing the saxophone and Alexander Sowinski on the drums. The group incorporate elements of hip hop, jazz and electronica within their work. They are most well known for their interpretations of hip hop tracks and their collaborations with Tyler, The Creator, Earl Sweatshirt, Danny Brown, Frank Ocean and Ghostface Killah. After they released a cover of Gucci Manes Lemonade on YouTube, it caught Tyler, The Creators eye and he helped it go viral. They uploaded their debut album to Bandcamp, which included cover songs from A Tribe Called Quest, Waka Flocka Flame and Off Future. Shortly afterwards, they performed their first show at The Red Light in Toronto. A few months later they released their first self-titles album, which Dante Alighieri, from Sputnikmusic, called a welcome reinterpretation of modern jazz without the pretense of snotty wine parties and thick rimmed hipster dinosaurs. Shortly after the album release, BBNG recorded a series of videos from a live session with Tyler, The Creator, which received more than a million views between them on YouTube. The following year, the group opened for Roy Ayers at the Nujazz Festival and played for Gilles Petersons Worldwide Awards in London. That same year, they released their second album, BBNG2, in which they incorporated original material and covers. They were also the band-in-residence at Coachella and backed Frank Ocean of Odd Future. BBNG participated in the production and musical composition for the soundtrack of the movie The Man with the Iron Fists, after which they released their album III. They released their fourth album, Sour Soul, in collaboration with Ghostface Killah, and, different from their earlier albums, it consists more of heavy hip-hop with light jazz elements..
How to hire BADBADNOTGOOD for an event
Learn how to hire BADBADNOTGOOD or research availability and pricing for booking BADBADNOTGOOD to perform at a corporate event, fundraiser, private party, social media campaign, fair or festival, tradeshow or conference, endorsement project, or hire BADBADNOTGOOD as a guest speaker, please submit the form to our agency.
Frequently Asked Questions about booking BADBADNOTGOOD.
BADBADNOTGOOD's current work schedule and location in relation to your event's type, date, budget, and locality will play a primary factor in the acceptance of booking BADBADNOTGOOD for your party. As long as your funding is commensurate to the price range to book BADBADNOTGOOD, CTI will propose your event to the official agency representing BADBADNOTGOOD. After we consult with them, we can circle back with you to provide a personal and accurate quote that includes: final costs, availability, and actual interest in being hired for your specific event or party.
CTI can give you the BADBADNOTGOOD booking price once we submit your event details to their camp. "How much does it cost to book BADBADNOTGOOD for an event?" is a frequent question we get, but the final BADBADNOTGOOD booking price is contingent on many variables and the booking fee we show is based on a range derived from our past experience with what will BADBADNOTGOOD charge for an event. Also, thier speaking fee might be different than the fee shown for the cost to perform or to just appear. Popularity, career stage, along with current demand will cause fluctuations in their speaking price too. The final booking price may be more than what is shown, but you should at least have a budget within that range for them to consider an appearance, performance or speaking engagement.
There is low probability to book BADBADNOTGOOD for a party with anything substantially less than the published booking cost price range. We will negotiate with the BADBADNOTGOOD agent on your behalf, but if your funding is not in place then it will more difficult to book BADBADNOTGOOD, because they get many offers to work events that are at or above asking price. It is also important to consider the travel costs when researching the BADBADNOTGOOD booking fee, as additional expenses like this, as well as an entourage of staff and equipment, are not necessarily built-in to the booking fee range shown. If your budget does not factor that in, then there is no benefit for them to want to be hired. We do not personally speak for BADBADNOTGOOD, but in our experience in booking talent for over 25 years, this is generally the outcome of inadequate funding.
City-Toronto, Age Group-18 To 30's, Canadian, Jazz, Jazz-Contemporary, Jazz-Instrumental, Pop Style, Pop-Electronic, Male