The internationally acclaimed lyrical skengman Kano has returned with a new studio album titled "Hoodies All Summer," his most significant body of work to date, three years after his Mercury-nominated album, "Made In The Manor." With every comeback, Kano raises the standard with a creative vision that challenges and improves the social, musical and cultural environment of Britain. The album is superior, musically and lyrically, to his prior recordings.
Kano only creates albums out of need, not for the sake of hype, as anyone even vaguely familiar with the East London rapper's relevance to the fabric of local music and culture will know.
'Hoodies All Summer', an album with only 10 tracks, is unquestionably a requirement. It is a representative of Black working-class adolescents in Britain and represents the social zeitgeist of the country. It addresses issues such as youth violence, poverty, racism, trauma, escapism, the prison pipeline and overall systemic failure. But this album isn't preachy; Kano isn't shouting at people in the street from a platform. No, Kano is actually speaking to young people in Britain in a private, intimate setting.
This song required the greatest time in the studio and effort to produce and it is a true monument to Kano's musical prowess. It was inspired by his sense of obligation to discuss the life and times of his age..

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